Every industry needs stakeholders who play various roles to keep it running. The creative arts sector is no different—indeed, it requires even more diverse players than most industries because of its fluid and dynamic nature. This flexibility allows professionals from outside the sector to contribute, creating employment opportunities for a wide range of people.

For the successful execution of any project, preparation is vital, and teamwork is essential. Every team needs well-resourced members to achieve its vision—and even better if there is a utility player. A utility player is an individual who is equipped to perform multiple roles in any professional setting. In Ghana’s creative arts industry today, one name stands out: Albert Bondah.

We often recognise the industry players who face the camera or microphone, as they are at the forefront of public engagement. Yet behind the scenes are many others who make it all happen. Albert is not just one of them—he is a utility player, and that sets him apart. His adaptability and versatility make him an invaluable asset. In times of urgent need, he rises to the occasion. Whatever the project plan, he can adjust and deliver effectively.

Albert’s versatility is also reflected in his willingness to learn. With an open mindset, he embraces different roles and functions as required. The creative arts encompass a wide spectrum—poetry, theatre, music, film, comedy, and more—and across all these disciplines, Albert has played his part. His flexibility and reliability have made him a vital figure, contributing significantly to team cohesion and success.

Albert began his professional career in 2015 while a student at the University of Cape Coast, where he worked as a producer for the Morning Show on Cape FM. Since then, he has been involved in numerous notable productions, including:

• Romanus Incomplete
• New Year Comedy Night by DKB
• CanPain Message
• 2 Cute to be Mute
• New False and FBI by Lekzy
• Cos 90 and WKHKYD by Jeneral Ntatia
• Journey to the South by Lekzy and O.B. Amponsah
• Ghanaian by Card by O.B. Amponsah
• Standing Strong by Okokobioko
• Sugar Mummy by Jacinta
• In the Chest of a Woman
• U Play Me, I Play U and Honeymoon Hotel by Africa Arts Network
• The Dilemma of a Ghost by Fiifi Coleman
• The Groom’s Men (a film by Director Kay)
• 1957 by Kyekyeku
• A Country Called Ghana by Kwadwo Nkansah (Lil Win)
• DKY Night of Comedy and Music by Dan Kwaku Yeboah

According to Albert, some of his most challenging projects include Laf with Dad by Lekzy, where he successfully steered the show through heavy rainfall, and Laugh It Off by Parrot Mouth, where he led a team of more experienced practitioners.

He names veteran broadcaster Ebenezer Ampaabeng (GTV), Lucy Hockings (BBC), and Kofi Adomah Nwanwani as his mentors, while his favourite broadcasters include Bernard Avle and Nana Osei Ampofo Adjei.

Albert hails from Assin Fosu in the Central Region and had his early education at Deseret International School before attending Fijai Senior High School. Although he has not yet fulfilled his childhood dream of becoming a pilot, today he is “piloting” creative projects in Ghana’s arts sector. He has also worked with several musical artistes, including Keche, Kwame Yogot, Selina Boateng, and NY Melody, and looks forward to collaborating with global talents.

When not working, Albert enjoys listening to music and playing football.

The creative arts industry needs more utility players like Albert Bondah—versatile, reliable, and adaptable—to sustain its growth and vibrancy.