Audio By Carbonatix
Tems says the key to navigating artistic success is to simply keep “trusting yourself.”
Tuesday, Interview magazine published an insightful discussion between the Oscar-nominated singer and Kendrick Lamar, resulting in several takeaways that fans and fellow artists alike should find useful.
On the pressures of success, Tems likened being in the public eye to what it must feel like for an animal in a zoo.
“You have to remember how you felt when you started as an artist, to understand the reason you’re doing what you’re doing,” she cautioned. “Yes, it’s to be seen, or to make a name for yourself, but beyond that, why are you doing it? Most of the time it’s because you have a story to share, a message to give.”
While it can be easy to “get caught up” in the expectations of a growing number of listeners, Tems added, it’s better to tune in to the expectations you have for yourself instead.
“Trusting yourself is so key, and I’m not going to stop trusting my guts just because people can see me now,” she told Lamar. “It’s like being in a zoo. The animals don’t change their behaviour just because you’re looking at them. They’re always going to be who they are. So why should I change?”
Elsewhere, Tems and Kendrick both opened up about their own experiences with “Pinky and the Brain syndrome.” Tems also pointed to the catalogue of Celine Dion as important in her early love for music, as well as elaborated on the transcendence one can feel at certain points in the creative process.
The latter prompted Lamar to touch on his own process, specifically the importance of making sure you’re recording even when you’re experimenting or haven’t yet arrived at what may become the final idea for a given track.
“Sometimes I freestyle to a point where I can’t feel my feet,” Tems revealed. “I’ve entered somewhere and I don’t even know where I am anymore. I’m just pouring out my gut and then when I’m done, I don’t remember what I just did. If you didn’t record it, it’s almost as if I blacked out.”
Dive into the full conversation here via Interview.
Following her For Broken Ears and If Orange Was a Place EPs in 2020 and 2021, respectively, Tems is currently in the middle of the run-up to her debut full-length. Last November, she appeared on the soundtrack to Black Panther: Wakanda Forever, contributing a "No Woman, No Cry" cover and co-writing Rihanna's "Lift Me Up." The latter went on to score an Oscar nomination.
Also in 2022, the Tems-sampling Future and Drake track "Wait for U" landed on Complex's ranking of the best songs of the year.
Latest Stories
-
Ghana needs a law to sustain constitutional reforms – CDD-Ghana
2 hours -
COVID fumigation audit: Auditor-General has a lot of questions to answer – Akwatia MP
2 hours -
Stranded Ghanaian medical graduates in Cuba appeal to Mahama for immediate return
2 hours -
GNFS contains fire outbreak at Teshie Lekma Road near Lekma Hospital
8 hours -
Samia Nkrumah rejects the narrative that Ghanaians were happy after Nkrumah’s overthrow
10 hours -
A Mother’s pain: Tribute by Ivan Baidoo’s mother
10 hours -
‘Forgive us for staying away’ — Samia Nkrumah leads family back to Nkroful, pledges to preserve Nkrumah’s legacy
10 hours -
Ernest Nuamah scores twice as Lyon beat Rennes
10 hours -
‘My dear Ivan’ – A father’s tribute to a son tragically killed
10 hours -
GNPC Explorco advances Voltaian Basin drilling preparations with 13.5km access road
10 hours -
Cabinet approves facility manager for Borteyman Sports Complex – Kofi Adams
11 hours -
Sanitation is improving; critics may be ‘living in another world’ – Salaga South MP replies Bekwai MP
11 hours -
Government must do more to tackle sanitation crisis – Bekwai MP
11 hours -
World Cleanup Day: GFF begins sanitation education in local communities
12 hours -
EU Ambassador, IGP discuss stronger cooperation on policing and security
12 hours