Audio By Carbonatix
Award-winning musician and creative innovator Mr Eazi has drawn attention to the difficulties African artists face when touring their own continent.
Speaking at the 2026 Africa Prosperity Dialogue on Friday, February 6, Mr Eazi reflected on a decade-long career spanning both music and entrepreneurship.
“In the last ten years, I have spent six of those years as a singer touring the world and four of those years doing a lot of entrepreneurship. Two things stand out to me.”
He highlighted a striking contrast between international success and touring within Africa.
“In the first six years of my rise, particularly the first two years of me blowing up, it was easier to tour America and Europe than it was to tour Africa, even though I had some of the biggest songs,” he explained. “Once I had the number one song in Africa, touring here became even harder.”
Mr Eazi recounted a personal experience that underscored the bureaucratic obstacles African artists often encounter.
“I remember two occasions, one of me going into Kenya with my band. Even though I had been paid to perform, I was stopped at the border. My band, which included members of other nationalities, were allowed to enter, but I – the lead artist who was being paid the most – had to wait,” he said.
He continued: “I remember telling the immigration officials, ‘Well, I have been paid, so you want to send me back home? I am going to be on the next flight.’ But that incident speaks to the reality of the friction that is being put in place – friction that stops us from uniting, stops us from being stronger, and prevents us from developing.”
Mr Eazi shed light not only on logistical and bureaucratic barriers but also on the broader implications for Africa’s creative economy.
He noted that limiting the mobility of artists risks slowing cultural exchange, economic growth, and the global competitiveness of African talent.
The Africa Prosperity Dialogue, which convenes business leaders, policymakers, and cultural innovators, provided Mr Eazi with a platform to call for streamlined policies and greater support for African artists.
He stressed that removing unnecessary barriers could allow the continent’s creative talent to flourish while strengthening pan-African unity.
Latest Stories
-
Threads of state: When cotton started a diplomatic incident
3 minutes -
Dozens of MPs don smocks in cultural solidarity amid Ghana-Zambia ‘fugu’ controversy
20 minutes -
AMA reclaims abandoned Alajo–Avenor open space in Accra; unveils green, beautification agenda
21 minutes -
Trump removes video with racist clip depicting Obamas as apes
38 minutes -
KCCR lecture presents new frontiers in snakebite treatment and care
42 minutes -
Rotary Club of Accra-Odadee AOGA donates desks and books, hosts reading clinic at Akropong M/A Basic School
56 minutes -
Koforidua SECTECH student stabbed during inter-schools sports festival
1 hour -
Parliament approves 24-Hour Economy Authority Bill
1 hour -
African firms must prioritise skills and execution to win in ‘Intelligence Age’ – KPMG
2 hours -
Why Dr Matthew Opoku Prempeh is the best bet for Ghana: The unstoppable case for NAPO as running mate
2 hours -
Academic City’s Waakye packaging project wins global packaging award
2 hours -
Africa’s future workforce, customers are already here and they are young – Nii Armah Quaye
2 hours -
Telecel Turns Up University of Ghana with Black Sherif, KiDi & Kweku Smoke on Val’s Day
2 hours -
When culture trends: How Mahama’s fugu revival can boost local sales
2 hours -
The Ghanaian talent shift: Key insights employers can’t ignore from the Jobberman 2026 Jobs Market Report
2 hours
