Theatre

SIGA Directive: Beyond the theatre of institutional displacement

From Theatre to Trial: Why audit reports must become dockets for prosecution

African festival lights up Accra with culture, theatre and pride

Chief of Staff, Latif Abubakar chart new path for Ghana’s ‘soft power’ through theatre

Latif Abubakar: The cultural diplomat using Ghanaian theatre to build bridges across nations

My first two productions failed when I entered commercial theatre – Uncle Ebo Whyte

George Quaye wows theatre lovers with spectacular ‘Death & the King’s Horseman’ stage play

Review: Africa Arts Network’s ‘Honeymoon Hotel’ delivers brilliant shift for Ghana’s theatre

It’s a relief that our tireless work in theatre is beginning to bear fruits – Adjetey Anang

Latif Abubakar to tour the world with 20th play titled ‘Ghana Must Go’

George Quaye and Naa Ashorkor: Two creative minds shining in Ghana’s theatre

Rex Omar discusses proposed National Theatre plans with Ashanti Regional minister

Chief Moomen stages ‘Mansa Musa’ theatre on January 24

Recent Appointment Committees have become a theatre – Draman

ImageBureau, April Communications take theatre to Nsawam Prisons

Africa Arts Network calls for tax reform to save Ghana’s theatre industry

Unlocking marketing strategies for theatre and film at the International Theatre and Film Conference 2024

We need better sets for theatre productions – Omar Sherrif Captan

We cannot compete; we need to collaborate – George Quaye on projecting theatre

Volta Regional Minister urged to complete theatre in region

It was by accident – Ebo Whyte on how he got into theatre

Theatre is an orphan of creative industry — Abeiku Sagoe

Uncle Ebo Whyte explains why Corporate Ghana hardly supports the arts industry

Theatre was very profitable at the height of Covid-19 – Latif Abubakar

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