Audio By Carbonatix
The current global proliferation of African rhythms brings pride and joy to many an African. However, the admiration and commendation did not happen overnight. It is the result of decades of consistency in availing the true identity of Africa’s enchanting sounds to the world. Hence, we must always remember to pay homage to the torchbearers who paved the way for what we enjoy today. Undoubtedly, one such name is Teddy Osei.
Born in the Asante capital of Kumasi in the mid-1930s. There are accounts that his actual date of birth was unknown due to lack of proper record-keeping. However, an estimation by his mother settled on 1935, December the 17th.
He was named Francis Osei with his surname from the first Asantehene, Nana Osei Tutu. At the time of writing this, I hadn’t unraveled how he became known as Teddy.
His father was an amateur horn player introducing him to traditional music at a tender age. Basic education assisted in providing a solid foundation for his musical interest. Occasional visits to Manhyia Palace also helped in giving him diverse perspectives from visiting musicians.
There are a number of similar incidents where an unexpected vacancy becomes an opportunity. That was the turning point for him. Whilst at college, the designated saxophone player was absent during a rehearsal. Teddy was asked to replace him and the rest, is history.
With a peaking interest in saxophone, Teddy intentionally studied the works of talented jazz musicians. After his college education in Sekondi, having studied as a draughtsman, he began working as a building inspector in Kumasi. During his tertiary education, he aligned with the preaching of Dr. Kwame Nkrumah for Ghana’s independence. It was not long that his love for music came calling professionally. Together with his playmate, Sol Amarfio and his younger brother Mac Tontoh, they formed the band, ‘Comets’. In the 1960s, the Philips Holland record label released an extended play (EP) titled, ‘Afro Rhythm Parade Vol. 4 featuring Ghana’s Teddy Osei and his Comets’. The EP had the following tracks ‘Monka’, ‘Owu Asɛi Me Fie’, ‘Pete Pete’, and ‘Dabi Wobɛkae me’.
In 1962, he relocated to London, England. Whilst working menial jobs to make ends meet, he applied for a Government of Ghana scholarship to study music and drama for three years. It was granted, however the overthrow of Nkrumah in 1966 ended his hopes of educational pursuit. Without reluctance he hopped onto the bustling music scene in London.
He convinced Mac and Sol to join him in England and they did. They took off performing from London to Switzerland and around
Europe under the name ‘Cat's Paw’.
They settled in London for economic stability and the band Osibisa was formed in 1969. It is one of the most revered and influential musical groups to emerge from Ghana onto the global scene. The initial members included his brother, Mac Tontoh, Sol Amarfio, Wendell Richardson, Lasisi Amao, Roger Bedeau (Spartacus R) and Robert Bailey.
In the early 1970s, they toured in the United States of America and shared the same stage with some of America’s biggest acts such as Little Richard, Smokey Robinson, Curtis Mayfield and Marvin Gaye. Teddy, leading the magnificent band became globetrotters touring the world and performing to vast audiences in Japan, Australasia, India, and many countries in Africa.
They performed at Zimbabwe's independence celebrations in 1980. Teddy Osei informed ‘The Guardian’ in an interview that, the reason he ventured into music was “… to make a difference to the African music scene.”
He further stated, “Without Osibisa, “there would have been no Fela Kuti, widely regarded as the godfather of Afrobeat.” “Osibisa gave Africans confidence in their own music”. He affirmed.
He was a fantastic saxophonist, flutist and hands on with the drums. His vocal range was commanding steering so many of their hit records such as ‘Wͻyaya’, ‘Welcome Home’, ‘Sunshine Day’, ‘Dance the Body Music’, ‘Coffee Song’, ‘Celebration’, ‘Fire’ amongst a host of other global hits.
Teddy and the iconic Osibisa band released over ten studio albums including Osibisa (1971), Wͻyaya (1971), Heads (1972), Happy Children (1973), Osibirock (1974), Welcome Home (1975), Ojah Awake (1976), Mystic Energy (1979), Celebration (1980), African Flight (1981), Movements (1989), Monsͻre (1995), Osee Yee (2009) amongst others.
He received numerous accolades, in 2018 at the All-Africa Music Award (AFRIMA), he received a special recognition award. He was honoured at the Grow, Unite, Build, Africa (GUBA) Awards, 2010 with a ‘Lifetime Achievement Award’.
Teddy Osei continued to perform even after he had been diagnosed with a stroke in 2010. His health declined gradually and he retired from professional work five years prior to his transition. On the 14th January, 2025, he kicked the bucket in London. He will be remembered for being a towering figure and pioneer of African musical rhythms across the world. He was married with three daughters.
Latest Stories
-
AG urges GBA to remain the conscience of Ghanaian society
15 seconds -
24-Hour Economy: Minority questions demolition of schools, markets and other public assets
2 minutes -
China criticises idea it is in ‘malicious competition’ over AI
5 minutes -
Russia hits Ukrainian train shortly after Boris Johnson and top European officials leave station
5 minutes -
Sista Afia reveals fears about becoming a single mother
8 minutes -
Gov’t 24-Hour Economy markets programme is an afterthought – Minority
9 minutes -
Minority wants traders, residents heard before 24-Hour Market projects
10 minutes -
Minority demands review of 24-Hour Market programme over ‘poor planning’
12 minutes -
GIPS calls for strategic procurement to drive inclusive industrial growth
14 minutes -
Ato Forson leads NDC 2028 flagbearer poll with 32% support – Global InfoAnalytics
17 minutes -
Daily Insight for CEOs: The CEO’s role in building leadership capability
22 minutes -
AG to introduce Legal Practitioners Standard Board Bill in Parliament
31 minutes -
AG proposes Bar Welfare Fund to provide social protection for lawyers
35 minutes -
No conditions attached: Rethinking Ghana’s duty of care for citizens in crisis abroad
36 minutes -
GES opens applications for non-teaching staff promotion; here’s who qualifies
50 minutes