As conversations about Ghana’s traditional dances evolve, the Efadzinam Borborbor Band is setting the record straight.

Lizabeth Akusika Bada, the band’s Public Relations Officer, has addressed and dismissed the growing misconception that associates Borborbor with twerking.

Speaking on the EVIBES Musical Band Series with Becky, Lizabeth passionately underscored the need to respect and preserve the authenticity of Ghana’s cultural heritage. She clarified that while Borborbor involves waist movements, it is rooted in tradition, ceremony, and communal celebration—not sensual or provocative dance styles.

“Twerking has nothing to do with Borborbor. Twerking is on its own, but Borborbor has nothing to do with twerking because growing up, we had games which involved using your waist. Borborbor is not the only dance that uses the waist. We have Kpanlogo, which is more or less a seduction dance. So Borborbor has nothing to do with twerking or sexual dancing. It’s just culture that was left for us, and we are preserving it.”

Her comments highlight the need to respect the integrity of traditional dances like Borborbor, which is deeply rooted in the heritage of the Ewe people of Ghana’s Volta Region. Known for its vibrant drum rhythms and graceful waist movements, Borborbor is a symbol of unity, celebration, and identity—not sensuality.

E Vibes, the show that delves into the backgrounds of celebrated personalities excelling in their chosen fields, is focusing this season on music bands in Ghana.

Dubbed #MusicalBandSeries, the program is dedicated to celebrating and highlighting the incredible journeys of Ghanaian musical bands, showcasing their triumphs, challenges, and the bonds that keep them together.