https://www.myjoyonline.com/publishing-value-chain-is-a-major-obstacle-for-writers-nana-achampong/-------https://www.myjoyonline.com/publishing-value-chain-is-a-major-obstacle-for-writers-nana-achampong/

Ghanaian author Nana Achampong has expressed serious concern over the state of the publishing value chain in the country, describing it as a major barrier that limits the productivity of local writers.

Speaking at the official launch of the first tranche of his upcoming book series, Achampong referred to the current system as “terrible”, citing persistent inefficiencies that continue to hinder the growth of Ghana’s literary landscape.

“The thing is, as a writer, you're the one person who now has to create your concepts, write, sometimes edit your own work, look for a printer, handle the printing yourself, then market the book, go around looking for readers to buy it, and talk to them on the reading circuit,” he said. “It's daunting at times, and it turns a lot of people off. Hopefully, a proper value chain is developing—but at the moment, it's terrible.”

At the event, Achampong unveiled three new books exploring different dimensions of human experience and society.

The Mystery of the Treasure Keeper examines the life of an African immigrant in the United States, delving into the cultural shifts and personal struggles that come with relocation.

A Taste of the Serpent's Kiss offers a critical reflection on Ghanaian governance, making a bold case for political revolution and structural reform.

One Stone, One Bride, and a Zombie presents a more philosophical narrative, centred on the idea that the events in our lives are not always the result of our actions but may be consequences of the actions of others.

Beyond highlighting the challenges within the publishing ecosystem, Achampong used the platform to encourage young and aspiring writers.

He urged them to build strong reading and writing habits to sustain their craft.

“Just read, write, read, write, and read—that’s all you have to do. Read and write,” he emphasised.

Achampong’s remarks served both as a critique of the current state of Ghana’s literary industry and as a call to action for the next generation of storytellers to persist, despite the hurdles they may face.

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